The New Gnostic

"There is a crack, a crack in everything. That's how the Light gets in." – Leonard Cohen

Tag: Inner revelation Page 1 of 4

Part III: The Hidden Light of the Templars

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On 2025-06-08

In Articles, Series

A Sovereign Reflection Across Time — Part III: Sacred Guardians, Secret Gnosis, and the Fall of Obedience

Flames rise against the night sky. Robes torn, scrolls scorched, and silence shattered. The silence of those who once guarded a forgotten knowing—broken by fire and fear.

The Knights Templar are remembered as warrior monks, as the elite sword-arm of Christianity, as bankers and builders of empires. From Jerusalem to Chartres Cathedral, their influence stretched across sacred ground and stone. But history, like empire itself, is often written by those who feared what could not be controlled—especially those who dared to claim the sacred without the need for hierarchy.

This is not a story of piety or conquest.
This is the story of what they remembered.

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Part I: The Key and the Threshold

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On 2025-06-08

In Series

A Sovereign Reflection Across Time — Part I: The Key and the Threshold

Nothing Is True. Everything Is Permitted.

At first glance, the phrase feels dangerous. A whisper from the lips of a killer, echoing through shadowy corridors of secrecy, rebellion, and silent war. In modern mythology, it emerges most recognizably from the popular video game series Assassin’s Creed—a franchise that blends historical fiction, stealth action, and philosophical undertones. Within the game, this phrase is the guiding creed of a secret brotherhood that operates outside the law to challenge tyranny and protect freedom. It feels anarchic. Subversive. Even nihilistic.

And yet, through the lens of sovereignty and conscious embodiment, it becomes something else entirely:

A key.
A crack in the façade.
A breath that dissolves the illusion of truth as a tool of control.

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The Unfolding of Reality: How Consciousness Chooses Its Path

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On 2025-02-09

In Articles

A Gradual, Sovereign Shift

The world is changing, but not in the way that many have expected. This shift is not a singular event, a sudden rapture, or an external intervention. It is a gradual unfolding—an evolution of consciousness that is allowing each being to move into the reality that matches their own vibration. Some are stepping into sovereignty, ease, and self-realization, while others remain entangled in the structures of mass consciousness—the collective thoughts, beliefs, and emotional patterns that have shaped human experience for centuries. Each choice is honored, unfolding naturally without interference, as each being moves at their own pace and in alignment with their personal evolution.

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Part 5: The Black Room: Crossing the Threshold

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On 2025-01-14

In The Masque of the Red Death: Embracing the Shadow and Discovering Divinity, Articles

Lucifer, often misunderstood as a figure of darkness, represents the unmasking of illusions and the illumination of truth.

The black room in The Masque of the Red Death stands apart from the other six chambers. Draped in heavy black velvet and illuminated by scarlet-tinted windows, it is a space that evokes both dread and fascination. This room is more than just the setting for the story’s climactic moment; it is the symbolic heart of the tale, a place where the veil between life and death, light and shadow, is at its thinnest.

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Part 4: The Clock of Ebony: Time as a Teacher

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On 2025-01-14

In The Masque of the Red Death: Embracing the Shadow and Discovering Divinity, Articles

Time gives us the space to explore, to remember who we are, and to integrate all aspects of self. The ebony clock, with its steady, measured chime, mirrors this purpose.

Among the many symbols in The Masque of the Red Death, the ebony clock looms as a powerful reminder of time’s inexorable march. Standing in the black room, this ominous clock marks the passage of each hour with a chime so profound that it momentarily halts the revelers’ merriment. Its presence is a stark contrast to the festive masquerade, serving as a steady, unavoidable reminder of mortality and the finite nature of human existence.

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Part 2: Prince Prospero and the Fortress of Denial

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On 2025-01-14

In The Masque of the Red Death: Embracing the Shadow and Discovering Divinity, Articles

…the Red Death is not a destroyer but a liberator, tearing down the walls of denial and exposing the truth that lies within.

Prince Prospero’s fortress, with its iron gates, opulent halls, and extravagant masquerade, is a striking metaphor for our attempts to deny the inevitable. It represents the walls we build to protect ourselves from discomfort, fear, and the truths we do not want to face. Yet, as Edgar Allan Poe so poignantly demonstrates, no wall is high enough, no gate strong enough, to keep out what we refuse to confront within ourselves.

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Part 1: The Red Death as Shadow and Revelation

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On 2025-01-14

In The Masque of the Red Death: Embracing the Shadow and Discovering Divinity

To know oneself fully, one must be willing to journey into the depths of the shadow.

The Red Death, the unrelenting force at the heart of Edgar Allan Poe’s The Masque of the Red Death, is more than a symbol of mortality. It embodies the shadow self—the hidden, denied, and often feared aspects of our being. Its presence in the story is a stark reminder that no matter how high the walls we build or how intricate the masks we wear, the shadow cannot be kept out. It moves silently, inexorably, until it stands before us, demanding to be seen.

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The Masque of the Red Death: Shadows, Light, and the Dance of Mortality

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On 2025-01-08

In The Masque of the Red Death: Embracing the Shadow and Discovering Divinity

As we embark on this journey through The Masque of the Red Death, let us approach it not as a grim tale of despair, but as an allegory of transformation.

Introduction: Setting the Stage

Edgar Allan Poe’s The Masque of the Red Death is far more than a haunting tale of a prince and his revelers succumbing to a mysterious plague. Beneath its gothic surface lies a profound allegory of the human experience: our relationship with mortality, the masks we wear, and the shadows we fear. Written in the mid-19th century, Poe’s story transcends its time, offering rich symbolism that speaks directly to the journey of awakening and realization.

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Embracing the Shadows: Reflections on Leonard Cohen’s “You Want It Darker”

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On 2024-12-11

In Leonard Cohen Series, Articles

If you are the dealer, I’m out of the game.
If you are the healer, it means I’m broken and lame.
If thine is the glory, then mine must be the shame.

Reflections on Leonard Cohen’s You Want it Darker

Leonard Cohen’s You Want It Darker is not just a song—it’s an experience, a meditation, and a reckoning. With its haunting melody and evocative lyrics, it speaks to something primal within us, a part of the soul that yearns for understanding even as it wrestles with the mysteries of existence. For me, this song is a companion in those quiet, reflective moments when questions outweigh answers and surrender feels like the only path forward.

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“When I Say I’m Not A Christian…”

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On 2024-11-12

In Articles

Some years ago while exploring the history of atrocities against humanity by the Christians and Christian countries, I discovered this poem somewhere on the Internet. You may read my commentary here.

I Am Not a Christian

When I say… “I am not a Christian”
I’m not arguing about your religion.
I’m whispering “Creator never lost us,
And there’s nothing to be forgiven.”

When I say… “I am not a Christian”
I mean that I trust Creator to guide me.
What I’ve found inside your churches
Aren’t the truths Creator placed in me.

When I say… “I am not a Christian”
It’s not a question of right and wrong
Even as your rabid evangelism
Uses my traditions as a joke
To trample on.

When I say… “I am not a Christian”
There’s no trick, no trap, no test.
Just saying “In my eyes you failed,
And in the name of your God
You have made this mess.”

When I say… “I am not a Christian”
I’m not claiming to be the enemy,
But your claws are far too visible
As you pretend to be a friend to me.

When I say… “I am not a Christian”
I feel your stares like a lash’s pain
From your culture so entrenched
In taking what I believe in vain.

When I say… “I am not a Christian”
It’s not any kind of invitation
For you to question my beliefs
I owe no mortal an explanation.

When I say… “I am not a Christian”
I’m not saying I’m holier than thou,
We BOTH have Creator inside us
And you’ll open your eyes
Someday,
Somehow.

– Voice of Golden Eagle

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